Showing posts with label movie continuity. Show all posts
Showing posts with label movie continuity. Show all posts

Thursday, July 7, 2011

Ten Statements About....CONQUEST OF THE PLANET OF THE APES (1972)

"Monkey See, Monkey Gon' BLOW YOUR FACE OFF!"
"How do you propose to gain this freedom?"
"By the only means left to us...revolution."
"But it's doomed to failure!""."
"Perhaps...this time."

1) Gotta say...I love how alien '1991 North America' looks, even though this one--like the one before it--must have been shot with existing locations and borrowed props to save money. It doesn't look too far from our world, but it does look different.

2)The script--like Escape, by Paul Dehn--displays a lot of subtlety. The way certain elements are introduced into this world is slow and almost graceful...so, for example, when we see Aldo, as Zira mentioned in Escape, saying his first words, we don't even notice it at first.

3) More so than when he played Cornelius, Roddy MacDowell is very smart in his performance as Ceaser. You definitely get the sense though his facial movements and body language that this Ape is constantly thinking, taking in the horror around him and processing them until he comes up with his own philosophy.

4) Since this series has been very comfortable with its position as a metaphor for race relations, the script goes full bore for the slavery card. Whereas in other series the scenes of apes being disciplined might seem exploitative, here it just stirs our indignation...prepping us for taking Ceaser's side once the revolution comes...and the fact that so many of the guards in charge of Ape Education are black only makes for a touch of irony.

"So you're saying in two thousand years, we'll ALL be
wearing snazzy jackets like that?"
5) It's totally understandable why Richardo Montalban's Armando has to die--his death is another brick in Ceaser's road to rebellion--but it's such a shame. Even here, where Armando is older and less bombastic, he brought a great deal of zest to that first half of the film.

6) If there is one problem, it's that Don Murray's Governor is, much like Ursa, a cardboard, one-dimensional villain. His blustery, over the top performance lacks the nuance of previous baddies in the series, and we never get the sense that he genuinely believes in what he's doing. It makes the film a bit one sided in a series that has managed to be rather multi-dimensional.

7) On the other hand...Sevrin Darden's Inspector Colp is absolutely wonderful. Never raising his voice, keeping every statement conversational, and yet keeping two steps ahead in the game, he's an excellent villain...and maybe should have been the main one. I can't help but think what a stronger film it would be if Colp was manipulating a weak Governer to achieve his goals.

8) Just has the first film's world had echoes of several cultures, so does this one--although the Nazi Germany and pre-Civil War south are fairly obvious ones, the most significant one is Ancient Rome...after all, just like in Roman Times, it is a Ceaser who burns down the old world....

You just know this isn't going to end well for the humans....
9) I think it's very smart that the ape rebellion incorporates some of the tactics we saw the apes use in the first two films. It's that level of detail that creates a real sense of continuity in this series as a whole.

10) You know...I didn't realize that Natalie Trundy, who played Dr. Branton in Escape, was playing Lisa. It's a real nice echo, and as with the element cited above, helps create a real consistency between these films.

Overall...a very good entry in the series that helps cement the oroborous nature of the whole cycle, it manages to bring the whole racial metaphor to a logical conclusion, paving the way for the sheer goofiness of the final entry....

Saturday, May 14, 2011

Ten Statements About....THOR (2011)

"I am The Hurdy Gurdy Man...and I bring songs of KICKING
YOUR ASS!!!'
"Describe exactly what happened to you last night."
"Your ancestors called it magic...but you call it science.  I come from a land where they are one and the same."

1) Here is why Chris Hemsworth was necessary to play the lead character in this film...he is able to accurately portray both the headstrong, hotheaded braggart and the more mature, capable man he becomes--and, more importantly, is able to transition between the two seamlessly so that Thor's character arc feels organic.

2) That being said--my favorite performance without a doubt is Tom Hiddleston's Loki. Hiddleston manages to create a very subtle God of Mischief, his voice so reasonable when he pushes those around him into doing what he wants. Plus, he manages to sell the very complex motivations behind this version of Loki extremely well.

3) While I recognize that this version of Asgard is the movieverse version and has to have a shade of 'The Realistic,' I generally approve of the design of the place. I also approve of how there are select characters--especially Josh Dallas' Fandral--who look like they were ripped right out of the comic.

4) There's a definitive sense that Kenneth Branaugh's Asgard is a Warrior Culture first and foremost. Hell, even Rene Russo's Frigga's first impulse upon seeing an approaching Frost Giant is to grab a sword and take a swing.

"It's the hammer, isn't it?  Chicks did the hammer..."
5) I do like Natalie Portman's Jane (as well as Kat Dennings' Darcy) a lot--this is the year of Portman having fun, apparantly--even though I wish they hadn't made her an astrophysicist. Yes, it makes keeping her and Stellan Skarsgaard's mentor character Eric around for The Avengers much easier, but it sort of breaks the whole contrast of Thor The Warrior with Jane The Caregiver the comics had.

6) That being said...I dunno, I think I prefer Jaimie Alexander's vital, game-for-whatever (and smoking hot) Sif to Jane, who comes off in this film as a touch neurotic and flighty at times.

I admit...I wanna party with these guys...
7) Those who compained about all the connective tissue in Iron Man 2 should be very pleased with the way it's handled here. It seems Branaugh learned from Favreau's mistakes, as the little throwaway lines about Stark and Banner work without stopping the film. And my favorite bit of connective tissue--the surprise appearance of Jeremy Renner's Hawkeye in a key cameo--was slipped in so logical and unobtrusively that it barely made a dent in the film's running time.

8) The product placement, however...YE GODS is it slathered all over this film. There's so many moments where the eye is drawn to Burger King cups or a 7-11 awning it made me actively not want to patronize any of the companies making the film its advertising bitch.

9) I continue to contend that Clark Gregg's Agent Coulson is the Coolest Character in the Marvel Movieverse. I'm amazed at how, after three films, Gregg has never once broken character, has always been scarily consistent and seems totally unfazed by all that goes on around him that I look forward to seeing him in every one of these films. And the way he doesn't get in Thor's face when the Asgardian does his 'look, I'm on your side, and I promise you I'll always be--just give my wubbie her stuff back', but just gets things done is wonderful.

10) I love how the Marvel Studios overarc between these films has trained the audience to stay put during the credits.....no one moved through all those tiny little lines, and were treated to a number of little gifts--not only the 'here's the stinger to set up the next movie with Sam Jackson', but the thanks to Walt Simonson, Louise Simonson, John Buscema and so many other great people who contributed to the Thor mythos and a James Bondian 'Thor Will Return' credit...

In short...this is another great Marvel film, which proves that the policy of 'find the right director, then get out of his way' continues to work extremely well.

I went back to the Atlas and used the last of the gift cards my mom gave me for Christmas...which means suffering through the Regal Firstlook. At least it featured the extended ComicCon trailer for Green Lantern, which actually got me a little excited by the film--as opposed to the awful, limp version that's still playing in theaters (I have to say--the ComicCon trailer gives me a much greater sense of what Blake Lively is bringing to the table as Carol Ferris, and I really see why she was cast now). Other trailers included a kick-ass one for Captain America: The First Avenger, one for the next Luc Besson produced cheapo action thrill ride, the Pierre Morrel-less Columbiana (It looks awfully promising, even if it seems to want to continue the trend of forcing Zoe Saldana down our throats), and--my favorite of the lot--the looks-to-be-too-insane-to-be-true return of Tarsem to genre filmmaking, the 300-meets-Clash-of-the-Titans mash up Immortals...which can't come out too soon for my tastes.