Showing posts with label James Gunn. Show all posts
Showing posts with label James Gunn. Show all posts

Wednesday, August 6, 2014

Ten Statements About....GUARDIANS OF THE GALAXY (2014)

Cue the late 70's pop rock....
“Why would you want to save the galaxy?"
“Because I'm one of the idiots who lives in it!”

1) It is kinda refreshing to have a movie that takes place in the Marvel Universe that is standalone.  While there are tiny connectors to the other films (primarily the presence of Thanos and The Collector), someone not interested in the Cinematic Universe could watch it and have a satisfying experience.

2) I’m surprised at how well Chris Pratt carries this film.  He sets the tone of the film, balances out a number of other characters with diametrically opposite genre traditions and keeps the plot driving forward.  It’s a rather remarkable performance.

3) I wonder if Vin Diesel had flashbacks to The Chronicles of Riddick when dealing with Ronan’s ‘NecroCorps’ and all.

4) But while we’re on the subject of Ronan...he comes off kinda weak as a villain, boasting and posturing until he gets the Holy MacGuffin of the film.  Hell, one could argue that the real villain is The Holy MacGuffin, which is responsible for giving Ronan the ability to do what he wants to do.
Yep...would still hit that...

5) For a change, director and co-writer James Gunn gives us a solid reason for the mostly classic pop soundtrack, and even gives us a solid reason why Peter is obsessed with that era of music.  Okay, it never explains why the most delicate music delivery system in history survived 26 years of interstellar travel, let alone how Quill finds batteries, but....shrug.

6) My problem with Zoe Saldana’s Gamora isn’t that you’ve got a stick insect playing a character who’s supposed to be softer featured, uncommonly tall and uncommonly curvy (okay, maybe it’s a small part), but the fact that there’s nothing that makes me feel she’s this hardcore assassin, let alone one of the most dangerous beings in the cosmos. Yeah, she does a lot of kicky do’s but the sense of this great face turn is blunted.  That being said....
He's not just an Elder of The Universe...he's fancy.

7) I do appreciate that, while there is chemistry between Saldana and Pratt, Gunn stays true to Gamora’s statement that she will not be one of his conquests.  Thus their developing friendship seems genuine while hinting at the possibility of something more.

8) Okay, we get that Benicio delToro’s Collector is Designated Expository Man, there only to give us the lowdown on The Holy MacGuffin...but damn if he isn’t fun.  From his admonishing his servant to use her elbows lest she meet the fate of the previous assistant to the end credits stinger (which featured the single most surprising character ever to appear in a Cinematic Universe film), he is a joy to watch.
"Behold my Holy MacGuffin Supercharged Hammer!"

9) Even with what looks like a skid mark on her face, blue skin and no hair, Karen Gillen is still hot.

10) I give Gunn a lot of credit for making sure the humor is fully integrated into the adventure and feels nature.  Everyone takes their turn as comic relief, and when we think the character is being treated too much as a joke, Gunn and cowriter Nicole Perlman slip in a moment of pathos like Bradley Cooper’s Rocket's drunken breakdown.

Overall...as someone who does not care for space opera, I was surprised at how much I enjoyed it.  By focusing just as much on characters as on spectacle, Gunn succeeds in creating the pulp science fiction film he claimed he wanted to make.

Sunday, January 22, 2012

Ten Statements About....SUPER (2010)

Let's be honest...this is the only thing about this film most
of you are interested in...
"Look what happened to you when you don't have a kid sidekick! You get shot by people!"

1) Maybe it's because my previous exposure to Rainn Wilson has only been when he was playing that grotesque on The Office, but I was struck here by how much more nuanced an actor he was. Throughout the first act, there's such a well-meaning patheticness to Wilson's Frank that speaks volumes about the desperation of his life. There's echoes of Dwight in his performance (an argument could be made that Frank is Dwight in the real world), but it's shorn of the broad artifice.

2) That being said, I have to wonder if this film isn't damaged by its super-hero-in-the-real-world angle. Once Frank puts on the costume of the Crimson Bolt and starts wacking people with a pipe wrench, the film loses focus for large portions of the second and third acts. Especially jarring are the moment where the darkness that infuses most of the comedy sloughs off in favor of goofiness with Wilson struggling to change in a car and playing secret identity games with him boss. The costume is the biggest thing that blurs the trajectory of Frank's character arc.

After being let go in the 80's, the Domino Noid struggled with
his identity....
3) Luckily, we have Ellen Page's thoroughly insane performance as Libby, who forces herself into the role of Frank's sidekick 'Boltie.' Spastic, energetic, and demented on every level (her laugh, which is calculatedly too manic to be natural, practically becomes an element of the score), Page gives that portion of the film a jolt, while also providing a much needed contrast to Wilson's underplaying.

(And yeah...Page's costume is hideous in concept....but the way she fills it out is anything but...)

4) While James Gunn has done some good films as a writer and director, he seems to have problems here maintaining a consistent tone. The first act is strictly indie comedy....then it veers into farce, then black comedy, then gory action thriller before finally discovering his its path back to the indie comedy it's finally revealed as being. Gunn really needs to have more control over his projects, as the sliding around from tone to tone, from genre to genre, makes the film narratively murky.

5) ...and adding to that murkiness is the quirky touches Gunn uses sometimes, like the imposition of comic art elements to key moments. That wouldn't be so bad, if it wasn't done so arbitrarily. I can certainly understand the usage of comic sound effect elements during the fight scenes, but filling the screen with 'bombs' in different comic letters when Wilson says the word makes no sense.

6) Look, I know I once said I wanted to see Nathan Fillion playing Green Lantern, but after seeing him filling that yellow Holy Avenger costume like an overstuffed sausage, the opening in his mask emphasizing his double chin....I rescind that statement.

"And this is for badmouthing Steve Carrell!"
7) As Frank's, ummmm, nemesis, Kevin Bacon's Jacques is pretty damn cool. Bacon chooses to play the drug dealer not as a villain, but as a regular workaday guy. Almost all of his mayhem is executed by the people around him (headed by Michael Rooker), and he actually tries to reason with Frank at several points in the film. What that does is make his descent in the climax to a full-on murderous thug all the more impactful.

8) I almost wish we got to see more of John Elway lookalike Gregg Henry's Detective Felkner. His performance seems to hint at something more going on inside the guy's head, and his early exit from the film at the hands of Michael Rooker's Abe and his henchmen robs the film of its opportunity to do its take on the comic book trope of the policeman rival....

9) You know--and I think I blame Gunn's script for this, although it could also be my perceiving a chemistry between the actors--Linda Cardillini has a very small role as a Pet Store Employee who tries to sell Frank a pet rabbit that seemed to indicate she would have a slightly larger role. And yet she doesn't appear again, and I'm sorry that's so especially in light of how the rabbit plays a part in the film's coda.

10) I continue to be struck about how Liv Tyler--who plays Frank's wife Sarah, the character who unintentionally is the center of the story--has grown into her face finally. She's shaken off the creepy Steve Tyler-esque cast to her features, and is now just an attractive woman who is a competent actress.

Overall...while there is loads to like in this film, Gunn's script comes off as narratively ADD and could have been more successful if he didn't impose his comic book obsession on it. There are some great performances, especially from Wilson and Page, and if you're interested in some of these actors, you might want to give it a look.