|Even in the computer world of The Grid, road rage is an issue|
2) The biggest special effect is undoubtably making the de-aged face of Jeff Bridges look absolutely realistic when he plays CLU.
3) I really like how the script by Edward Kitsis and Adam Horowitz incorporates the marketing for the original Tron seamlessly--and even I felt a thrill when I saw Garrett Hedlund's Sam walk into Flynn's Arcade to see, among other things, the old school Tron stand-up console game.
4) Hedlund may not be the greatest actor--but I like how his mannerisms and the tone of his voice echoed Bridges so that, while they may not look all that alike, you certainly feel they are connected by blood.
|Thirteen's prediliction for vinyl reveals itself...|
5) Why is it that I really don't care for Olivia Wilde in House, but when she shows up in some other outfit, like in that Funny or Die G.I. Joe video dressed as the Baroness and here, I find her thoroughly smoking hot?
6) Michael Sheen--he's the guy with the cane prancing around in the trailers--must really, really like David Bowie. Just saying.
7) The Daft Punk soundtrack works here, primarily because it feels so alien when we enter the world of The Grid.
|"Is there life on Maaaaaars?"|
8) I really liked how the bulk of the real world scenes were in 2D, to give way to the 3D world of The Grid once Sam is integrated. I just wish they'd committed fully to that idea and not thrown us a couple of sequences in the real world designed solely so we can be wowed by the 3D process.
9) It's interesting how, even though there's an updating to the look and feel of The Grid, the CGI doesn't stray too far from the originals--to the point where, when we see an original lightcycle in Jeff Bridges' dwelling, it doesn't look as much of a relic as it might have.
10) Didn't somebody point out how much Bridges looks like Obi-Wan Kenobi when he's rocking that robe with the light interior?
In short...I don't know how much people who didn't see the original all those years ago will make of this sequel--but for me, who loved the original, this is a very worthy follow-up, and very worth the wait. Hell, the wait might have been needed, given how it takes full advantage of modern CGI.
I was back at the Atlas--I was too busy to make the trip into the city for the lesser priced AMC show. I was a bit annoyed that they've now added a Firstlook 3D to tack on after the original Firstlook for films like this. Trailers included Green Lantern, which still looks pretty blah on the big screen, Green Hornet yet again, and Mars Needs Moms, which featured more of that super-creepy motion capture stuff Robert Zemeckis pioneered that makes me feel very, very cold.