|Oh, Steed....what they have planned for you....|
“Then I'm about to make that same mistake twice.”
1) Perhaps the major problem with the basic fabric of this film is that since all the major characters are noticably younger than Roger Moore, it emphasizes how much older he is, and how he’s too old to be playing an action hero.
2) I never thought it’d be possible to make San Francisco look boring. I guess you showed me, movie.
3) We can add Tanya Roberts’ Stacey Sutton to the list of unconvincing female scientists. Sure, she’s pretty to look at, but she is incapable of delivering geological exposition in an effective way.
4) Shame on you, movie, for misusing Patrick MacNee so badly. He deserves more than to be used as comedic relief for a long stretch of the film and then killed off.
5) Boy, is Christopher Walken...vigorous as Max Zorin (a role turned down by Sting and David Bowie, incidentally). Grinning to beat the band, giggling at his own villainy at spots, and strutting
|She looks as bored as I am....|
6) Why does he have so many henchpeople? There are so many that none of them get any sort of development to make them come alive. Even Grace Jones’ May Day is cardboard, and relies on her physicality and striking features to carry her along in the picture.
7) While John Glen for the most part dispenses with the sight gags that marred his previous efforts, there is one chase scene involving a fire truck that is truly winge-worthy in the way it’s played for laughs. It also doesn’t help that Moore is allowed to run rampant with his lame puns.
8) As I’m sure Dean Martin would tell you, when you’re shooting so much of your fight scenes in long shot, you’re trying to hide how tired your star is.
|I'd throw the screenwriters off the bridge...|
9) What is up with that long, boring stretch of film in and around Stacey’s house. It kills what little pathetic momentum the film has had up until that point. And speaking of killing the film dead....
10) That whole sequence involving the female Russian spy and the bath house contributes literally nothing to the film save to give Walter Gotell a little bit more screen time. If the rumors are true and they wanted Barbara Bach to reprise her role in that sequence, I’m not surprised she turned them down. It could be cut whole and not affect the film one bit.
Overall...Maybe not the worst Bond film (that one’s coming up), but arguably my least favorite, as it’s so boring it leaves me numb.